When Life Gives You Lemons …

Four films and four different perspectives on dealing with the hardships of life: “History Matters,” “The Devil Within,” “A Day in the Life of a Street Sweeper,” and “Every Child is Our Child.”


Huda Abdul-Razzak’s “History Matters” is short, sweet and to the point. The film spotlights how the dissemination of controlled information influences the news, knowledge, truth, and perspectives. The film is based on a U.S. news report about the “war” in Gaza. It switches between interview footage and a mock news report. The central question is whether the “war” in Gaza can really be identified as a war? “History Matters” is a powerful eye opener, and yet, the filmmaker never shows footage from the tragic incidents in Gaza. The film stands on its visual storytelling merits.


Jac Ash’s short animation “The Devil Within” would be perfect for the Cartoon Network channel’s Adult Swim. Think “Lucy, the Daughter of the Devil” and “Moral Orel.” The film is witty and risqué, with a dash of controversial. It is a comical look at judgmental people who lash out and try to spread their poisonous hatred onto others. The film positions “the hater” as a hypocrite, thus illustrating how haters are not so perfect either. It also associates judgmental people to devilish and evil ways.


Steven Flor filmed “A Day in the Life of a Street Sweeper,” because he was inspired by “the unnoticed heroism of the street sweepers in the Philippines and the sacrifices that they live with each day.” The documentary is fascinating and interesting as it follows Angela Navecilla, a woman trying to support her four daughters and five grandchildren. Despite Angela’s struggle and hard-stricken life, she remains optimistic and proud of her job; her tone even hints at honor. She insists that her only wish before she dies is to be able to afford her own burial! Flor hopes “the audience will learn that even in a life of poverty, values such as love, compassion, honesty, and integrity are present in their [street sweepers'] lives.”

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In “Every Child is Our Child,” Andrew Kornhaber documents a community’s response to the challenge of HIV and the actions it takes to save its orphaned children from a lack of an education and the absence of parents. The people of Manya Krobo, Ghana believe that “education is a powerful weapon against AIDS.” Every Child is Our Child is a program created by the Unitarian Universalist United Nations office and the Queen Mothers Association in the Manya Krobo region of Eastern Ghana. The film’s message, the dedication of the Manya Krobo people and the children’s aspirations are moving, inspirational, and beautiful.

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Condi, Maria, Roberto and Norman

Last week, I provided a glimpse into Casey Moore’s “Her Special Day.” The American short film recalled to mind Richard Donner’s 1976 classic creepy horror film, “The Omen.” This week, I bring to you four films that peak into the lives of real people. The films are profiles on the political woman, the poor mother, the destitute husband, and the activist.


The documentary “American Faust: From Condi to Neo-Condi” illustrates a different side of Condoleezza Rice than the one often portrayed in the media. The film is by no means pro-Condi. In fact, it is balanced between Rice’s successes and failures, strengths and faults. The profile is quite compelling and intelligent, transitioning between personal one-on-one interviews, video clips, graphic timelines, and photos. It eloquently presents the transformation of Condoleezza from a little girl growing up and dreaming in Birmingham, Alabama to a young woman thriving in her academic endeavors to the political powerhouse breaking barriers and setting new heights. After watching this film, Rice will no doubt become the new “it” woman of choice in college essays. Move over Hilary Clinton and Eleanor Roosevelt.


George Walker Torres’ “Maria y el Nuevo Mundo” follows a poor Venezuelan woman, Maria, throughout her daily life. The film is touching, sad and uncomfortable. The audience is forced to suffer alongside Maria as she struggles to make ends meet in order to provide a better life for her daughter Joanna. Torres intricately ties in the past and present, intermingling Maria’s life and the Venezuelan village. It provides the audience with an understanding of current situations through the lens of Maria’s experiences.


Young filmmaker Nelson Vasquez brings to life the story of his father in the short film, “On a Clear Day.” It moves with a poetic flare, incorporating a single tune that weaves in and out in the background. Vasquez quickly illustrates how his father Roberto lost his job and his family, leaving him broke and alone. In the end, Vasquez will have you pondering: If I lose it all in a day, what would I do? Am I prepared for the worst? The film carries the message that tomorrow is not a guarantee.


Finally, actor Jim Grollman takes a fresh look on a historical event in “The True Story Behind The Plot To Blow Up The Washington Monument.” Grollman gives an innocent look into the life of the man behind that plot, Norman Mayer. The film travels seamlessly back and forth between 1982 and the present with photos, news footage, one-on-one interviews, and televised interviews. All the while, Grollman is trying to provide evidence that Mayer was just a political activist wanting to be heard and recognized, and not a terrorist trying to harm the nation he loved.